12th planet aka infiltratas first release on argon is not to be missed! element 16 (sulfur) is a dancefloor smasher that will set off any night, while just cool featuring lobsta, simpkin & inity is a vocal roller that will have you singing along.

pogo features digitalisms trademark synth saturated production & live drums, but they ve introduced some new order esque guitars & jens moelle from the band singing vocals. these remixes of pogo comes courtesy of css. digitalism make electronic music that everyone can rock to - they are part of a new breed of producers leading the renaissance in electronic music reinvigorating and uniting the indie and dance scenes. after their sell out dates last year, hamburgs hard working digital duo continue to troop the globe with even bigger tours at even bigger venues before hitting the festival circuit.

incl great remixes by sascha funke and dj koze !! danse avec moi is the first single to be taken from noze s new album, songs on the rocks, the french duo s most surreal and scintillating vision of dance music yet, to be released on get physical music on april 25th. the 12 is equipped with remixes from sascha funke and the inimitable dj koze.>danse avec moi< is a proper love song. it is also noze s first ever song in french, and so with typical perversity, they thought it might be amusing to call upon an american to do the singing - the wonderful dani siciliano, best known for her albums for! k7 and litany of collaborations with matthew herbert. dani duets elegantly with david lafore (who also penned the song s lyrics) over a propulsive, swinging 4x4 drum tattoo, bouncy bassline, rippling harp and lavish string arrangements. as is so often the case with noze, the piano is at the forefront of the arrangement, providing not just straightforward melody and harmony but eminently danceable rhythm. it is an anthem in the making. you should know better than to expect a straightforward remix from kompakt s resident mad scientist, dj koze.

with me or against me is a brash and brazen chunk of swaggering electro, a whopping club shaker propelling an insanely hooky chant along vocal from tc. this will lodge itself in your brain until you wake up singing it!

supportet by fred everything, prins thomas, funk d void, neil quigley, dj shade, scope, shane johnson, laurent garnier and many more.. whether you re a house head, disco head, or tech head, this release will move your dancefloor and make you smile. the original club mix is a sophisticated slice of electronic disco, with a big vocal singing some heavily sleazy words. for the tech-heads, two underground dubs provide the dirt. the dubfuck mix is an adrenaline-fuelled underground smasher - big with prins thomas, funk d�void and laurent garnier. the love on dub takes a smoother approach, following the same path as the original mix, but with the vocals cut away so that the music takes centre stage.

its been smashing clubs worldwide since the summer! nightrhymes deliver this addictive infectious club rocker. the standout vocal just sticks in your head and will have all singing along! it was destroyed venues worldwide from pacha funky room right through to hong kong and australia. dj meme gives an essential uplifting hands in the air club remix. alfred azzetto reworks this into a deep techy. steve of soulbasics fame bumps up the energy into a europhic electro dancefloor stopper! nightrhymes give 2 mixes, the club mix is a deep, dubby, bouncy affair whereas their space remix offer something for all the main room cats! the full package really does offer mixes for all tastes and crowds... support has been from all leading angles of the dj world including: dimitri from paris, franckie knuckles, purple music, le roi, panevino, matt caseli, andy ward, dj rocco, yass, christian hornbostel, audiowhores, graham sahara, central avenue, mr mike to name but a few few....

the new album from human bell

this selection is based on over two decades of deep dj experiences. the impact of seeing jazz dancer, michael knot of idj, dancing to acid trax by phuture, in the back room of a pub in teddington, produced one of those seminal moments that, gilles maintains, radically changed his view of acid house. it is important to say that this is certainly not a club album as some of the predecessors in this series have been.

get down features the vocal talents of mc zub is set to become the next party anthem. its got all the right ingredients, infectious groove, big bassline, catchy vocals and melody, that will have you singing this in your head for days. the hip house version is a real jackin track with plenty of extra mad synth action to keep it twisted. the minimow mix is a stripped back groover with an intense brooding vibe for the darker moments.

dominic dawson and amrick channa are 2 names that you are going to be hearing a lot about over the nest few months. dominic has upcoming projects scheduled for release on defected, opus & metrogroove records and amick has been singing his heart out for the likes of sandy rivera, pete heller, & kid massive to name a few. this collaboration on lay features a wonderful classic vocal as well as 2 chuggin dubs. enjoy!

being compared to &#147,dance machines, fuck friend is easily recognisable thanks to their enormous sounds between lo fi and post punk, metronomic distorted drums, some vintage keyboards, very heavy bass lines, and bitchees crystal like voice singing melodies inspired by what they call candy pop music, meaning cute songs sang by cute people. despite the projects young age, the band is already being supported by some of the greatest artists and djs: soulwax, digitalism, erol alkan, brodinski, css, bonde do role, mr flash, the teenagers, yuksek, mixhell, poney poney, benjamin diamond etc. fuck friend has been remixed by brodinsky & yuksek, mixhell (aka iggor cavalera from sepultura!) and css. dance machine is the word!

flick it is big and filthy. a ragga splattered grimey b line, pumping beats and et bleeps. flipside, on your knees incorporates angelic choral singing and baroque mandolin harpsichord action to present a celestial tear out view. a definite floor pleaser!

big with c-rock, ben watt, agoria, tiefschwarz, mike monday, shinedoe, miss jools, 3 channels, fabrice lig,�! estroe and zoëxenia already teamed up for connaisseurs compilation grand cru 2007 with their wonderful track >dont forget<. this time the ladies share a split ep with one original track and one remix of both. estroes >driven< was already a big success on connaisseur supérieur at the beginning of this year and found its way on some important compilations and cd-mixes like ellen alliens fabric mix. beside her production activities, estroe is a remarkable and stylistically confident dj. famous in the netherlands, but also slowly recognized outside her home country. zoëxenia is a singer and songwriter since her teenage years. her impressing presence combined with her soulful voice made her succeed at the finals of diesel u-music benelux as well as at grote prijs van nederland in 2004. but not only singing is her passion. when she was infected by house music she began to develop her own electronic style as a producer, which ended in her first release on artminimal in spring 2007. more releases on remote area will follow soon

seamless twelves does it again! set to drop yet another irresistibly infectious summer epic, supaflava blends slinky keys with a bumpin bassline, while the sweeping strings add the sweetener to the mix. sophie cairo adds the vocal touch with a performance set to not only blow you away, but have you singing along with your arms in the air! andro adds his trademark electro sound to the track while still maintaining the organic feel of the original, combining the familiar strings and keys with a fresh bassline so funky that it becomes an extremely potent lead line for the dub. by the time vincent kwok has his wicked way with the track, he adds a further twist, creating a bass driven dub that bumps its way underneath the floating vocals with some serious groove.

set to be one of the summers biggest tunes in clubs and festival fields alike, manchesters indie-dance heroes return with the epic floor filler >divebomb< crystal castles adding their mixture of sex.murder.smoke on a speedy remix. thewhip clearly are one of the hardest working bands in pop right now with no fewer than 40 odd shows between now and mid july to find energy for � but fear not, find the energy they will. crystal castles is the most most most whatever band in the world with their way of articulating as if they devoured children while singing. they come from toronto. on their myspace, under >influences<, they answer : murder, glazed-looked girls, knives. whacky

switchstance recordings artist deela come up with their first solo ep that serves as a teaser for their forthcoming album mano mano. these guys already did remixes for mo horizons, issa bagayogo, greg long and many more. the ruhrfahrt ep showcases deela at its best. its a diversity of grooves and rhythms strictly aimed at the dancefloor.

joakim is back.this time tough, he surprises us with a small pop jewel! but lonely hearts is not a classic pop song, it is much more joakims interpretation of one. a catchy tune, which does not want to be one. an exciting contrast between catchiness and a bleeping onslaught.on lonely hearts, cheesy sounding strings really stand out over a stoic stomping drum beat, dark singing grates against beeping keyboard playing, in the chorus a wonderful melody has a comforting effect over the very sad lyrics.in addition to the album version and the radio edit, the lonely hearts maxi also features the loving hand remix by tim goldsworthy. the musician (lcd soundsystem) and label owner (dfa records) skillfully pulls lonely hearts to the left, brushing it into a dark club track. with the distorted slow motion vocals, the funky bass run and the demanding beats, it is suddenly very close to the sound that already characterized joakims club hits are you vegetarian and come into my kitchen. and you ll also fin a joakim dub of the track. this dub keep the pop side of the song with a more catchy approach for a more dancefloor version of the original and with always the weirdness you use to find now in the joakim production !supported by tim sweeney, prins thomas

following the success of the little blue singing electrofants comes now his friends to join this wonderful party in the jungle !!!

burning electro tracks incl remixes by the glimmers, duke dumont and sinden baile

nice price deal !!! the unstoppable groove invaderz are back with another slammin ep. this time enlisted the superb vocal talents of nicole tyler who does a great job in singing this song. also features a stunning remix from kid massive and big city dogs. but the original mix is the one getting people frothing at the mouth

a1 no sleep:an amazing 13-minute latin pop electronic house piece ,a journey that is already making a name for itself in the world bests dancefloors. percusions,baselines ,bleeps mental sounds blending together with a dirty groove that keeps on changing and developing ,to peak in soulful and painful vocals accompained with a lead melancholic guitar and jorge singing -is just like to be on drugs without the fun-.....sounds familiar?...the song ends in beautiful detroit styled chords , a good reason to play it until the end..b1 close that door: an acid house jam with extravagant and abstract lyrics showing gonzales dark humor and irony.close that door has a killer acid baseline and the usual quirky dinky touch ,lots of sex and groove on this track,a sure peak-timer.think dan bell meets prince.b2 no sleep (edit):a smart instrumental version of no sleep for those vocal snobsters.just the groove here, no vocals,no guitar or synth lines, and exelent tool

following erik rugs original version of >tribute to my people< and its dark electric disco rap vibe, les disques du télégraphe bring us slamming nu funk remixes by l aroye & kÿ. l aroye and his partner in crime kÿ aka romain the keyboard wizard, re-wrote the track keeping the original rap performed by dynamax (of the zulu nation - bronx). the new school boogie beat (the live fender bass and kÿ s furious synth chords) give the remix a fun organic funk arrangement. wait for the first break to come in: there is no way you re gonna escape that chorus of a children s choir singing in french. its gonna be big this summer

tom thumb sees an exceptionaly fresh vocal style that is so catchy the girls as well as the boys will be singing along already being championed by annie nightingale this is one tune thats gonna be heard all over the festival circuit this year

cool electronica lounge & experimental breaks !

44 tracks on 2 cds

10th anniversary release in honor of the labels birthday - 1 year. we have gathered on it our artists and new friends. postdynamic expresses gratitude to our fans and supporters. the release includes 2 parts, 2 sides of our vision.

2cd+dvd limited edition in 4-panel digipack with a 16-page booklet.

cd+dvd edition in jewel box with 12-page booklet

3 cd complation

mixed 6xcd box set in die-cut sleeve .. incl. tracks by steve bug, acid pauli, laurent garnier, marc romboy and more

jay-jay manages to capture us with his melancholy voice, singing haunting melodies, dressed up in mysterious sounds and experimental drum beats.

cd incl. 4-seit. softpack-sleeve mit 12-seit. booklet

die compilation ist der perfekte begleiter f�r n�chte in tokio.

!k7 are pleased to announce forest swords as the next curator of the ever essential dj-kicks series. following acclaimed albums on ninja tune and tri angle, soundtrack and installation work, and remixes of the likes of bjork, matthew barnes aka forest swords has curated a 25-track compilation that draws a line between past inspirations and his current peers. like much of his own output, his dj-kicks skirts around pristine electronics and embraces more organic textures: 80s post punk (anna domino, dead can dance), classic 90s british electronica (orbital, mira calix), and smokey digi-dub (rhythm & sound), all rub up alongside some of the most forward-facing producers working today (demdike stare, laurel halo, fis). the compilation sifts through rhythms, shifting speeds and emotions: from pop icon neneh cherrys primal thudding to the zombified throb of exclusive forest swords track crow via deena abdelwaheedÕs clattering deconstructions to the euphoric two-step of djrum. its a collection of tracks that feels as restlessly curious and weighty as barnes own work.

cd edition in 2-panel digipack, 20-page booklet with exclusive pictures and notes from jeanne moreau, fran�ois truffaut and cyrius bassiak (aka. serge reznavi).an emblematic actress and a memorable figure of the french chanson scene, jeanne moreau passed away in 2017. she started singing as an amateur in theatre like the com�die fran�aise, but always wanted Òto sing balladsÓ. the man who wrote her first songs was her friend: the painter cyrus bassiak (pseudonym of serge rezvani) and like for many other artists jacques canetti was the one who brought her to a recording studio to record her first songs in 1963. this album pays homage to jeanne moreau by compiling for the very first time all the songs written by cyrus bassiak, including 4 songs that were nowhere to be found until today.

das in berlin lebende, italienische dj/produzenten-duo tale of us hat in den letzten jahren eine rasante karriere hingelegt, die 2017 mit ihrem deb�talbum -endless- bei der deutschen grammophon ihren vorl�ufigen h�hepunkt erreichte. ihr -fabric 97- mix ist eine eklektische tour de force mit vielen unver�ffentlichten und exklusiven tracks, frischem material ihres labels afterlife, sowie profilierten kollegen von adriatique �ber efdemin vs. dj koze bis recondite und patrick b�umel, plus nat�rlich dem eigenen exklusivbeitrag -error error-.

art-pop meets mongolian throat singing, blade runner meets walter carlos (clockwork orange). tom dissevelt and kid baltan (bowies lieblingsband) meets tame impala!

described wholly accurately by boiler room as one of the best producers and arrangers of disco music to have ever done it, bronx native john morales has more than three decades of hits and over 800 remixes to his credit. this 4th volume of m&m mixes on bbe is without doubt the most ambitious yet, containing gems from barry white, diana ross, level 42, teddy pendergrass and eddie kendricks among others, all woven together with that special, intricate m&m magic. gaining unprecedented access to original multitrack recordings from the vaults of sony and universal records, john has once again upped the ante, going where no dj has gone before. accept no imitations, nobody does remixes quite like john morales. previously unreleased m&m mixes featuring globally renowned artists barry white, diana ross & cher among others.

delroy wilson the original Ôcool operatorÕ was also known to many as ÔteacherÕ. a title given to him as he unselfishly taught the up and coming singers including one youth dennis brown, the art and delivery of singing technique. delroyÕs rich tone to his voice added a depth to any song that he chose to sing. delroy wilson (b.1948 kingston,jamaica) began his musical career at the school that was coxonne doddÕs studio one label. after a brief stop in 1969,which saw delroy working for producer sonia pottingerÕs tip top label. again producing such hits including Ôit hurtsÕ and Ôput yourself in my placeÕ. the 1970Õs saw delroy wilsonÕs arrival at bunny Õstriker ÕleeÕs door and what would result in a winning formula,scoring hit after hit. it is from this great period in delroyÕs career that we have compiled this selection of killer tunes,cut with the drum and bass rhythm kings themselves sly dunbar and robbie shakespeare.such classis as Ôwho careÕ ,Õcan i change your mindÕ,Õget readyÕ,Õyou must believe meÕ and the timeless title track to this collection Ôhere comes the heartachesÕ. an album of great tracks cut with Ôthe hitmaker from jamaicaÕ bunny lee and his team. a match made in heavenÉ.enjoy the setÉ.

a collaboration between aphex twin (richard d. james) and µÐziq (mike paradinas), mike & rich - Õexpert knob twiddlersÕ was made back in 1994. richard edited the tracks into shape later in 1996 with his new apple mac computer and it was released later that year on rephlex, the label he co-owned and which released the first two albums by µ-ziq. this new reissued version has been carefully cleaned up, re-edited and remastered from the original dat tapes, put into a more fitting order and, more excitingly, seven new bonus tracks and alternative versions have also been added. the album was recorded over a few days during the 1994 world cup, back when richard lived in a big shared flat in stoke newington. richard had tried to collaborate with a few other likeminded artists but something clicked when mike and rich worked together and the sessions have a unique feel, playful and at times actually drunk. these are fun experiments in the spirit of lighthearted moog pop and ripe 70s british tv themes, standing out from the po-faced electronica of the time with a garish glee. the record was made on what is now seen as pretty primitive gear - an atari, roland mks-80, memorymoog, roland r8 and a handful of samples on a casio fz-10m - but itÕs to their credit that it resonates well with the hardware workouts coming out today. there s a broadminded but sloppy funk to the record, even whistling, singing and harpsichord in reg and wonky beat pile-ons in jelly fish . there s latin piano and wheezy drunken techno in ÔvodkaÕ, or the sleepy spaced out ambience of Ôbu bu bu ba with its barely contained laughter which seems to reflect the absurdity. the new versions and bonus tracks are an absolute delight - from a trancier version of Ôvodka to the wonky bounce of Ôportamento gosh , the 3/4 dub of waltz, the banging door bass of brivert and muonds , the creepy seasick atmosphere of clissold bathroom and finishing with the strangely graceful and serious organ plodder . a generous and welcome return to the racks

in 2015 london elektricity surprised us all with his first album in over five years. are we there yet? more than deserved its influx of praise, now the med school team has taken on the label boss latest masterpiece. the med school scans lp examines, dissects and transforms each track, injecting every members unique persona into the critically acclaimed original.

die brasilianische drum & bass-ikone dj marky ver�ffentlicht my heroes. das langewartete album beinhanltet 16 tracks! dj marky wurde weltweit ber�hmt durch seine drum & bass-hymne lk, die single war wochenlang in den uk charts. das neue album my heroes kn�pft genau an dj markys alten tracks an alle drum & bass-fans werden dieses album lieben!

soul safari started as a blog to showcase the music of africa with a strong emphasis on south africa. now in its 6th year, soul safari is proud to present the third volume of the compilation Ôtownship jive & kwela jazzÕ, a collection of rare gems originally released as shellac 78Õs in the period 1960-1965 in south africa. on this third volume the selection features the gorgeous close harmony vocal groups singing in the tradition of american r & b and doo wop. but always with that typical south african swing and sung in the zulu or xhosa languages.

waehrend der letzten 20 jahre hat robin rimbaud/scanner das experimentelle terrain zwischen klang, raum, bild und form bereist und dabei eine unueberschaubare fuelle von genres miteinander verknuepft, bereits ein kurzer auszug seines schaffens umfasst sounddesign, filmkompositionen, computermusik, avantgarde, zeitgenoessische komposition, multimediale gro§auftritte, produktdesign, architektur, mode, rockmusik und jazz.

the fruit tree foundation is an independent project that grew from the scottish mental health arts and film festival. ed by emma pollock (formerly of the delgados) and rod jones (idlewild), the fruit tree foundation also features james graham (twilight sad), scott hutchison (frightened rabbit), jill o sullivan (sparrow and the workshop), alasdair roberts, james yorkston, karine polwart and jenny reeve. the artists wrote and rehearsed the album over a long weekend in a remote perthshire farmhouse and recorded the final album in chem19 studios. the songs were written with a view to focussing on issues of mental health and wellbeing. artwork design by aidan moffat.

jazz cinema 2, a touching remembrance of poignant love, takes you swimming through the joy of music and serenity and entering into a time of majestic legends. the performers in this album includes jamie cullum, one the most popular jazz singers in the world, stacey kent, a grammy award nominee, peggy lee, who has a great reputation in both singing and film career, nat king cole, one of the most legendary jazz singers, louis armstrong, the swing star, billie holiday, and ella fitzgerald, two of the most honorable jazz queens. their renditions of songs are from inception, the english patient, un homme et une femme, cars, oceans 11, casablanca and the curious case of benjamin button, those romantic melodies which is to remind you of the classic stories and write you an most unforgettable and delicate note in life.

sven v�th mixt die allgemein g�ltigen hits und die versteckten juwelen der clubmusik aus diesem jahr zu einem 160-min�tigen trip in die gegenwart der elektronischen musik. die 12. ausgabe von v�ths >sound of the season<-reihe ist f�r den liebhaber der elektronischen musik genauso eine einzigartige h�r-erfahrung wie f�r den unbeteiligten zuschauer

being a product of the age it was written, slow clubs 2009 debut, yeah so, dealt with the all too familiar space between adolescence and the oncoming storm of adulthood. a boy-girl duo who played a flower-adorned chair live, they were the polar opposite of what was coming out of post-arctic monkeys sheffield. slow club were fun, cute, whimsical and all manner of other words just shy of twee - and they hate being called twee. paradise, however, is where the duo grows up. two years on, it stumbles out of a trivial, self-indulgent teenage malaise (where sexual adventure was priority for most) and carries itself with a sense of perspective that only adulthood can give - a darker, more thoughtful view of the world. for instance, on the poignant you, earth or ash, a song about rebecca taylor s granddad, her melancholic vocals (beautiful, as always) evoke an awareness of mortality for those around her: singing -and i know, soon you ll go,- her voice seemingly breaks under the weight of premature grief. whereas even love-wise (an inspiration every band draws from) slow club s lyrical output is glossed with a more mature and detached sense of sauce, with taylor crooning on where i m waking: -i can see you looking at me / you got the brains i ve got the body-.